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Track Naming
Each track in a fi le, whether monophonic or polyphonic, can be named with a unique, descriptive
track name. Descriptive track names such as ‘radio mic 1’, ‘boom 2’ or ‘John Smith’ are more helpful
to editors than track numbers. Track names with up to 26 characters are managed in the Setup Menu
option REC: TRACK NAMES. The track names selected prior to recording are stored in the Broadcast
Wave Extension (BEXT) data as well as in the iXML data.
When Setup Menu option CONNECTION MODE is set to C-LINK METADATA SHARING, editing the
track name on the C.Link master unit will also change the respective track name on the C.Link slave unit.
see C.Link Metadata Sharing
Metadata Implementation
788T Broadcast wave fi les include iXML (revision 1.5) data and bEXT chunk data. For bEXT and
iXML-aware software applications this data is available. For applications that don’t recognize bEXT
or iXML, this information is ignored. The chart below details the supported metadata parameters.
• iXML: Metadata stored in the Broadcast Wave iXML chunk
• bEXT: Metadata stored in the Broadcast Wave bEXT chunk
• FMT: Metadata stored in the Broadcast Wave Format chunk
= supported; blank = not supported
Metadata Type Notes
U = Entered by User
M = Automatically Entered by the Machine
Read Write
General Information
Project
iXML U; via Folder Options menu Top-Level
Roll (Tape)
iXML, bEXT M; uses creation date or is overridden by User
U; via Folder Options menu Mid-Level
Scene
iXML, bEXT U; via Scene Name menu
Take
iXML, bEXT M or
U; via Take Name menu
Notes
iXML, bEXT U; via HDD menu
Circle Take
iXML U; via Take List menu
File UID
iXML M; Unique File Identifier
File Sample Rate
iXML, FMT U; via the Sample Rate menu
Digitizer Sample Rate
iXML U; Actual sample rate of AD converter
Bit Depth
iXML, FMT U; via Bit Depth menu
Channels
iXML, FMT U; Number of channels (tracks) in the file
Time Code Information
Frame Rate
iXML, bEXT U; via Frame Rate menu
TC Flag (ND or NDF)
iXML, bEXT U; via Frame Rate menu
Recording and Playback5
788T/788T-SSD User Guide and Technical Information
53
- Version 3.02 1
- Chapter 1: Quick Start Guide 3
- Chapter 3: Inputs and Outputs 3
- Chapter 4: Routing and Mixing 3
- Table of Contents 4
- Chapter 9: Remote Control 5
- Chapter 12: Specifications 6
- Chapter 13: Accessories 6
- Chapter 14: Appendix 6
- Copyright Notice and Release 7
- Limitation of Liability 7
- Quick Start Guide 9
- Connect headphones 10
- Left for odd inputs 11
- Right for even inputs 11
- Turn the Rotary Switch 11
- Return to the Main Display 12
- HEADPHONE MONITOR 14
- FireWire 400FireWire 800 15
- Panel and LCD Descriptions 16
- Panel and LCD Descriptions2 17
- Rear Panel Descriptions 21
- LCD Display Descriptions 22
- Track Setup Window 26
- Take List Descriptions 30
- Inputs and Outputs 34
- Inputs and Outputs3 35
- Outputs – Analog and Digital 40
- Routing and Mixing 42
- Routing and Mixing4 43
- Mix Assist™ 46
- Recording and Playback 48
- Track Arming 49
- Recording and Playback5 50
- Sampling Rate and Bit Depth 52
- Audio File Formats 55
- Take Management 55
- Metadata Implementation 61
- Take List 62
- CSV Sound Reports 67
- Playback 70
- Synchronization and Timecode 71
- Synchronization and Timecode6 72
- Time Code 73
- Monitoring and Metering 80
- Monitoring and Metering7 81
- Metering and Display 85
- File Management and Storage 92
- File Management and Storage8 100
- File Transfer to Computer 104
- Remote Control 107
- Remote Control9 108
- Wave Agent Control 113
- Hardware Controllers 122
- Hardware Controllers10 123
- CL-2 Remote Fader (optional) 124
- CL-8 Controller (optional) 128
- Setup and Shortcut Reference 156
- Setup Menu Shortcuts 166
- Front Panel Button Shortcuts 167
- Function Key Sequence Action 168
- + Rotary Switch 168
- Specifications 169
- Specifi cations12 170
- Connector Pin Assignments 171
- Accessories 173
- Accessories13 174
- Appendix 175
- Appendix14 176
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